京都錦織 龍村光峯 KOHO-Gallery,Nishiki-Textile,Kyoto.
The Woven Art of KOHO TATSUMURA
Woven on takabata looms since they were introduced from China over 1200 years ago, silk mon orimoro (design figures incorporated into the weave, itself), is exquisite, luminous, luxurious and multi-colored. The high precision and skill level required to weave this fabric and the resulting extraordinary beauty and quality demands that it be distinguished from ordinary brocade by giving it a distinctive name, Nishiki. In the Japanese language, the idiographic character used for Nishiki is a combination of the symbol for woven cloth combined with the symbol for gold, implying that the value of Nishiki is equal to that of money.
Since ancient times, the word Nishiki has been used as an adjective to indicate great beauty as in the term, “Nishiki Autumn,” to describe a colorful landscape in fall. Nishiki, as a work of art, represents the pinnacle of silk weaving, rarely found in the world. Historically, it has been highly coveted by the Japanese people, and remains a great source of national pride as an example of Japanese beauty. Nishiki is created through the combined skills of numerous craftsmen, involving a broad range of technical processes that require time and patience. The work of Koho Tatsumura can be compared to that of a conductor who gathers together craftsmen like musicians in an orchestra, to complete each musical piece. As the silk threads, each shining like gold, combine with one another, they come to harmonize as a brilliantly colored, dazzling, sublimely created Nishiki creation.
The superb visual-textural feeling of silk’s infinite variations and hues, enhanced through processes cultivated over a millennium, is translated into works of art that will always draw our affection, regardless of the era. At the studio of Koho Tatsumura、we continue to produce woven fabrics as a Japanese art, preserving the tradition and skill, seeking to ever expand the beauty of Nishiki.
錦の美 龍村光峯の織物美術光峯 KOHOhttp://www.koho-nishiki.com/history/
Kanga AN黄檗禅宗 瑞芝山 【閑臥庵】
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The eight islands of Japan sprang into existence through Divine Intervention.
The first two gods who came into existence were Izanagi no Mikoto and Izanami no Mikoto, the Exalted Male and Exalted Female. It was their job to make the land for people to live on.
They went to the bridge between heaven and earth and, using a jewel-encrusted halberd, Izanagi and Izanami churned up the sea into a frothy foam. As salty drips of water fell from the tip of the halberd the first island was formed. Its name was Onogoro.
So far, so good. But when Izanagi and Izanami first met on their island, Izanami spoke to Isanagi without being spoken to first. Since she was the female, and this was improper, their first union created badly-formed offspring who were sent off into the sea in boats.
The next time they met, Izanagi was sure to speak first, ensuring the proper rules were followed, and this time they produced eight children, which became the islands of Japan.
I'm sure you did not fail to miss the significance of this myth for the establishment of Japanese formal society.
At present, Japan is the financial capital of Asia. It has the second largest economy in the world and the largest metropolitan area (Tokyo.)
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Japan's culture is highly technical and organized. Everything sparkles and swooshes on silent, miniaturized mechanisms.
They're a world leader in robotics, and the Japanese have the longest life-expectancy on earth.
Text by Steve Smith.