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Basilica di Santa Maria del Fiore by night
Florence

The Basilica di Santa Maria del Fiore (English: Basilica of Saint Mary of the Flower) is the cathedral church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style to the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th century Gothic Revival façade by Emilio De Fabris.


The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. The three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting the region of Tuscany. The basilica is one of Italy's largest churches, and until development of new structural materials in the modern era, the dome was the largest in the world. It remains the largest brick dome ever constructed.

The cathedral is the mother church of the Roman Catholic Archdiocese of Florence, whose archbishop is currently Giuseppe Betori. The Basilica di Santa Maria del Fiore was built on the site of an earlier cathedral dedicated to Saint Reparata.[1] The ancient building, founded in the early 5th century and having undergone many repairs, was crumbling with age, as attested in the 14th century Nuova Cronica of Giovanni Villani,[2] and was no longer large enough to serve the growing population of the city.[2] Other major Tuscan cities had undertaken ambitious reconstructions of their cathedrals during the Late Medieval period, as seen at Pisa and particularly Siena where the enormous proposed extensions were never completed.

The new church was designed by Arnolfo di Cambio and approved by city council in 1294. Arnolfo di Cambio was also architect of the church of Santa Croce and the Palazzo Vecchio. He designed three wide naves ending under the octagonal dome, with the middle nave covering the area of Santa Reparata. The first stone was laid on September 9, 1296 by Cardinal Valeriana, the first papal legate ever sent to Florence. The building of this vast project was to last 170 years, the collective efforts of several generations; Arnolfo's plan for the eastern end, although maintained in concept, was greatly expanded in size.

After Arnolfo died in 1302, work on the cathedral slowed for the following thirty years. The project obtained new impetus, when the relics of Saint Zenobius were discovered in 1330 in Santa Reparata. In 1331, the Arte della Lana, the guild of wool merchants, took over exclusive patronage for the construction of the cathedral and in 1334 appointed Giotto to oversee the work. Assisted by Andrea Pisano, Giotto continued di Cambio's design. His major accomplishment was the building of the campanile. When Giotto died in 1337, Andrea Pisano continued the building until work was again halted due to the Black Death in 1348.

In 1349 work resumed on the cathedral under a series of architects, commencing with Francesco Talenti, who finished the campanile and enlarged the overall project to include the apse and the side chapels. In 1359 Talenti was succeeded by Giovanni di Lapo Ghini (1360–1369) who divided the center nave in four square bays. Other architects were Alberto Arnoldi, Giovanni d'Ambrogio, Neri di Fioravante and Andrea Orcagna. By 1375 the old church Santa Reparata was pulled down. The nave was finished by 1380, and by 1418 only the dome remained incomplete.

On 19 August 1418, the Arte della Lana announced a structural design competition for erecting Neri's dome. The two main competitors were two master goldsmiths, Lorenzo Ghiberti and Filippo Brunelleschi, who was supported by Cosimo de Medici. Ghiberti had been winner of a competition for a pair of bronze doors for the Baptistery in 1401 and lifelong competition between the two remained acute. Brunelleschi won and received the commission.[3]

Ghiberti, appointed coadjutator, was drawing a salary equal to Brunelleschi's and, though neither was awarded the announced prize of 200 florins, would potentially earn equal credit, while spending most of his time on other projects. When Brunelleschi became ill, or feigned illness, the project was briefly in the hands of Ghiberti. But Ghiberti soon had to admit that the whole project was beyond him. In 1423 Brunelleschi was back in charge and took over sole responsibility.[4]

Work started on the dome in 1420 and was completed in 1436. The cathedral was consecrated by Pope Eugene IV on March 25, 1436 (the first day of the year according to the Florentine calendar). It was the first 'octagonal' dome in history to be built without a temporary wooden supporting frame: the Roman Pantheon, a circular dome, was built in 117–128 AD with support structures. It was one of the most impressive projects of the Renaissance. During the consecration service in 1436, Guillaume Dufay's similarly unique motet Nuper rosarum flores was performed. The structure of this motet was strongly influenced by the structure of the dome.

The decoration of the exterior of the cathedral, begun in the 14th century, was not completed until 1887, when the polychrome marble façade was completed to the design of Emilio De Fabris. The floor of the church was relaid in marble tiles in the 16th century.

The exterior walls are faced in alternate vertical and horizontal bands of polychrome marble from Carrara (white), Prato (green), Siena (red), Lavenza and a few other places. These marble bands had to repeat the already existing bands on the walls of the earlier adjacent baptistery the Battistero di San Giovanni and Giotto's Bell Tower. There are two lateral doors, the Doors of the Canonici (south side) and the Door of the Mandorla (north side) with sculptures by Nanni di Banco, Donatello, and Jacopo della Quercia. The six lateral windows, notable for their delicate tracery and ornaments, are separated by pilasters. Only the four windows closest to the transept admit light; the other two are merely ornamental. The clerestory windows are round, a common feature in Italian Gothic.

During its long history, this cathedral has been the seat of the Council of Florence (1439), heard the preachings of Girolamo Savonarola and witnessed the murder of Giuliano di Piero de' Medici on Sunday, 26 April 1478 (with Lorenzo Il Magnifico barely escaping death) in the Pazzi conspiracy.

(source: http://en.wikipedia.org/wiki/Florence_Cathedral)

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Copyright: Viktor vokic
Type: Spherical
Resolution: 7992x3996
Chargée: 03/10/2011
Mis à jour: 07/08/2014
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Tags: basilica di santa maria del fiore; florence cathedral; florence; firenze; italy; night
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Overview and HistoryFlorence has been relaxing since the very beginning, when Julius Caesar adapted the location to serve as a home for veteran soldiers. Its name means "flourishing" and that's what it's been doing ever since.If we can ignore that pesky evidence of neolithic rock-smashers, Florence has been occupied for about two thousand years.Caesar wisely chose the intersection of two rivers for the location of Florence, for defensive purposes. Admittedly he was not the first person to think of this idea, but we'll let him have it for now.The Arno and Mugnone are the rivers over which Florentines built their beautiful bridges, in order to have something else to decorate. See Ponte Veccio for illustration.Like all Roman cities, Florence was originally rectangular in shape, bearing long straight roads with ninety degree intersections. The heart of the city was originally at the intersection where today, you will find the Piazza della Republica."Piazza" means plaza, not pizza. For my American subway riders.Being located in a fertile valley along a major river attracted people, commerce and wealth, according to the laws of burgeoning civilization, and Florence grew up to be a leader in all the new phases, such as the Cult of Isis and later, Christianity.The dark ages hit Florence a little earlier than the rest of Europe. Because of its location on the Italian peninsula, it was fought over viciously during the Gotho-Byzantine war. When Florence was cut off from communications and trade with Rome in the 6th century, its status descended into terrible Lombard dominion most, most foul.Charlemagne and the Carolingian empire were next up in the roster of rulers, so Florence became a county of the Holy Roman Empire.Over the next five centuries Florence experienced more growth and construction and landed as the capital of the Tuscany region in the thirteenth century. Merchants' associations multiplied and brought international trade relations to Florence, and yet more wealth for the construction of Gothic buildings, such as the Cathedral Santa Maria del Fiore.By the thirteenth century, Florence had rightly earned the reputation as the main city of the West. To symbolize this, they constructed the Palazzo della Signoria.Enter Black Plague, 1348. Cue flood, wipe out bridges over Arno river. Begin serious urban planning as of fourteenth century, to remedy the economic and political crises.Remedy? Rhymes with Medici? The Medici family took power by representing the disenfranchised middle class, and began the Italian Renaissance proper.I suppose being bankers to the Pope didn't hurt the Medicis in their stellar rise to power and fame. The family sponsored generations of artists and thus became responsible for the creation of unsurpassable masterpieces by such titans as Leonardo di Vinci, Michaelangelo, Donatello, Boticelli, Brunelleschi... apologies to the curtness of this sneeze of a historical kleenex I write.Let's jump to the year 1737, when the last of the Medicis died. Florence temporarily became part of the Austrian empire, then the capital of Italy in 1865. Rome took over six years later as capital and we enter the modern times.Florence was occupied by the Germans for a year during World War Two. Mussolini met here with Hitler in 1940, after which he led Italy into the war as an Axis power.In Florence, you will get an education in the Renaissance whether you mean to or not. Her progress now continues into the third millenium, where preservation may be the key word. Automobile exhaust is bad for marble, you know?Getting ThereIf traveling by air, you'll fly into either Pisa International Airport or Peretola Airport. Or the ocean but let's say that won't happen.Peretola is closer to Florence (5km) but it's a small, single-runway airport. In 1990 it was renamed after Amerigo Vespucci, so Peretola is also called Vespucci just to confuse matters. From it you can take a bus, taxi or rent a car to get where you're going. The bus takes about half an hour and costs less than five Euro.Pisa airport is keeping Tuscany's profile high in the world! The best way to connect to Florence is by the train, which costs about the same five Euros but takes an hour and a half.Arriving by train is another option for European travelers. 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