Aaran Art Gallery Jun 2013 Behrang Samadzadegan Art Of Impotency 01
Solo show by Behrang Samadzadegan
From the perspective of a third world artist, and a protégé of post-colonial era, I look at my time, history, and place as well as art. Art, in my belief, is not politics as it has no dominant role in relations of power. Furthermore, it cannot be considered as entertainment either, inasmuch as art in many modes keeps its’ distance from tastes of the masses. Thus, it cannot be entertaining. From my point of view, art can observe what happens in the world and through the history and can raise questions, but cannot change anything. It can only tease the “systems and hierarchies”, the ones which are ascendant in realms of art, history, society and power. In fact, I attempt to respond to the history, to the historical continuum of being subjected by systems. I try to reveal the unseen experience of the lived history, and expose the silent side of it. Nevertheless, I do not succeed! Since my work is incapable of representing anything. It is, indeed, trying to bring something to present that is here and is not. I disregard rules of the art scene and use any kinds of readymades. I change their essence and create my own interpretations.
My art is impotent! It cannot change anything, nor protect anyone. However, it may be able to hint at dark ditches between truth and reality. It may also be able to mess with the systems; from deterring systems of art scene to “meta-narratives” of power and history, which can be teased in ironic approaches, instead of being accepted incontrovertibly.
The result may seem ironical, but indeed it is nothing but a huge absurdity. In fact, if I would endeavor to represent one thing, that would be the “absence”; the historical schism in links between fact and truth.
آثار الیکا هدایت استثمار، بی تفاوتی، بی عدالتی و زوال در حوزه زندگی اجتماعی را به تصویر می کشند. شهرو...
آرشیو تعلیق مجموعه ایست ثبت شده ازنقاط تعلیق، نقاطی که با حضور دائم و مزمن مرگ و نیستی از بدو تولد، آ...
Overview and History
Tehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.
Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.
But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.
In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.
The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.
The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."
Mehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.
Tehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.
The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.
Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.
People and Culture
More than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.
Things to do, Recommendations
Take the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.
If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.
Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.
Tehran is also full of museums such as:
the Contemporary Art Museum
the Abghine Musuem (glass works)
the 19th century Golestan Royal Palace museum
the museum of carpets (!!!)
Reza Abbasi Museum of extraordinary miniatures
and most stunning of all,
the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.
Text by Steve Smith.