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کرج ، نمای باز
نمایشگاه انفرادی نقاشی مهدی اشلقی
افتتاحیه 9 خرداد ماه 1393
این مجموعه حاصلِ آخرين پرسه ها در مكان و زماني است كه در آن زاده شدم. سي و چند سال است كه گوشه گوشهء آن در خاطره ام ثبت شده امّا هنوز گاهي در آن گم مي شوم. شهری که درآن بزرگ شده ام که باهم بزرگ شده ایم بدون تابلوهای راهنما و بلد راه. نقطه ی معلق میان شمال کشور و پایتخت. گذرگاهی که پذیرای میلیونها نفر شد ولی اهالی اش هنوز مسافر و مهاجرند که هنوز از جائی دیگر آمده اند.
"كرج نماي باز" عنوان مجموعه ايست كه بر خلاف ظاهر خود، به هيچ ناكجا آبادي اشاره نداشته و هر تصويرنمودار مكان و زمانِ دقيقي است كه در آن روزي به شب، يا شبي به روز رسيده است. و درنهايت نه تجسمِ نقاشانهء تجربه اي شهري، بلكه مرور حقايق است در شهری که از آغازش گوئی قرن ها گذشته.
مجموعه پيش رو، تجربه اي از انتخاب و حركت ميان زشت و زيبا، و خطا و صواب است. و بدتر از آن انتخاب ميان چيزهايي كه هيچ وقت نمي توان بينشان يكي را برگزيد.تصويري از جدالِ شب و روز، به توهم حقانيت يكي و زوالِ ديگري.تصويري از هستىِ لامكان و زماني كه به وقتِ تولد،جايي ميان وهم و واقعيت، آنرا ديده بوديم. و گويا تا آخرِ قرار به اين است كه نه به روشنايي اعتمادي باشد ونه بودن در تاريكي چندان ترسناك.
نتیجه هشت نقاشی است که نیمی شب است و نیمی دیگر روز که هریک در دیگری حضور دارند. پاسخی نه چندان نهائی به سوالی ازلی: که تا بوده و هست نور از تاريكي وظلمت از نور زاييده خواهد شد. و تنها رنگ است که به هر دوي ايشان جان و معنا ميدهد.
مهدی حسینی اشلقی
Solo Painting exhibition titled “Karaj- Long Shot”.
Opening at Aaran Gallery on Friday 30th May
This exhibition is the result of my wonderings in the place and time that I am born in. It is thirty odd years that every corner of this city is rooted in my memories but I still lose my way. The city that I have grown up in, that we have grown up together, without guiding signs and no one to show the way. A geographical point, between Caspian Sea and the Capital, A passageway that has absorbed millions of people, where the inhabitants remain migrants and everyone belongs to another place.
“Karaj, Long Shot” is the title of a series that despite first impressions is not a Non-place, each image in fact is a reflection of an exact place and time, where day has turned to night and night to day. And ultimately it’s not a painterly visualization of a lived experience in a city, but it is a review of the reality in a city that seems to be centuries old.
The series is a test between choices and reflections of ugliness and beauty, right and wrong, as well as a choice between things that one can not chose among. A visualization of the battle between day and night; the illusion of rightfulness of one and decay of the other one. The Image of a terra nullius, a place between hallucination and reality, that one has probably witnessed at time of birth. And it appears that till the end we may never fully trust the light nor fear the darkness as much as we ought to.
The result is eight paintings, half day and half night, that continue in to each other. Perhaps a not so definite answer to the eternal question: that as far as time immemorial, light is born from darkness and dawn from dusk. And it’s only color that will give them both meaning and life.
Mehdi Eshlaghi. Spring 2014
Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.