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Etemad Art Gallery Feb 2014 Saeed Mohamadzadeh Nodehi Floral Borders 02

حاشیه گلدار

نقاشی ام زمانی تمام می شود که با مدادی رنگی خط و مرزهای جدی آثارم را مخدوش کنم و به شوخی بکشانم. درست اینجاست که به اصل تاریخ نزدیکتر می شوم.

کار نقاشی تغییر تاریخ نیست. نقاشی تاریخ را در دستانش می گیرد ، ورز می دهد، بالا و پایین می اندازد، قلقلکش میدهد و بعد بر زمین می زند . آن را از زاویه خودش روایت می کند و به محک نقد می گذارد.

من سرازیر شده در دل تاریخ به دنبال واکاوی روابط بین انسانها هستم. نگاهم بر گرفته از طنزی است که در بطن اساسی ترین ارتباطات اجتماعی رخ نمود می کند . طنزی که می خنداند و بعد چشمانت را خیره میسازد به نقطه ای بدون تعریف.

مجموعه جدید نقاشی هایم تمبر نیستند،استفاده تصویری از حاشیه تمبر بخاطر ارزش گذاری مفهومی است که برحوادث تاریخ دارد. به نوعی ؛ حاشیه گلدار به عنوان چاشنی تصویری بر روی متن اصلی کار، چالش محتوایی و بیانی ایجاد می کند.

سعی دارم تلخی تاریخ را در پشت لایه های طنزش پنهان کنم  و به نوعی تزئینش کنم تا جذابتر به نظر بیاید.بی هیچ دخل و تصرفی قیمتها را روی حاشیه کارم می گذارم . این ارزشی است که از قبل تعیین شده است.

من برای تغییر این ارزش گذاری بارها سبیل های ناصرالدین شاه را تراشیدم و برای احمد شاه گذاشتم  و این همه جسارت و جرئت فقط 2 ریال بر ارزشش افزود.

در میان این حاشیه ها می شود افتخارات بزرگ را به ریالی خرید و فروش کرد 

من در آخرین خرید موفقم ،کاخ سفید را با حاشیه ای تزئین شده به رنگ طلایی فقط به قیمت 1 دلار خریدم.

                                                                         سعید محمدزاده - نودهی- 

                                                                                              دیماه 1392

Floral Borders 

My paintings are only finished when; I jokingly start to alter their outlines with coloured pencils. It is at this same time, which I feel closest to the very essence of history.

Painting was never meant to change history. Instead, it picks it up and takes it into its own hands, moulds it, throws it up and down, tickles it and then throws back it to the ground. A painting narrates and criticizes history from its own point of view.

I have slid into the heart of history to re-investigate the relationships between people. My standpoint is an outcome of humor that stems from the most basic social interactions. A humor, which makes you laugh and then locks your gaze towards an indefinable spot.

My new collections of works are not stamps. This visual usage of stamp borders is for their implication to the conceptual evaluation of historical events.

In a way, the floral borders become a visual relish added to the original ingredients of the work, creating a contextual and expressional challenge.

My attempt is to hide the bitterness of history under layers of humor. In other words, I sugar coat it to make it more appealing. The price of the works is placed on these floral borders without any interference on my part. This is the perceived value, which has been appointed.

Many a time, have I shaved off Nasser al-Din Shah’s moustache and put it on Ahmad shah’s face so that this evaluation might be reconsidered. Yet, to no avail, for all my daring audacity, it only resulted to a mere 2 Rials being added to the original price.

It is in these very margins that proud accomplishments are bought and sold in currency. On my most recent successful purchase I was able to buy a “White House” embellished with a gold margin for only a dollar.

Saeed M Nodehi

January 2014

نمایشگاه آثار " سعید محمدزاده نودهی " با عنوان " حاشیه گلدار " بهمن 1392 گالری اعتماد


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