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Etemad Art Gallery Jan 2014 Mostafa Darehbaghi Something About Many Things 02
Tehran

این ها در باره ماست

These works are about us

کارهای مصطفی دره باغی  رفتن و برگشتنی دائمی در زمان است . 

زمان هم به معنی کمیت فیزیکی مجردی که با ساعت اندازه گیری اش می کنیم و هم به معنی محیطی که زندگی آدم، مثل آب برای ماهی،  در آن جریان و تداوم دارد و همه ی کار و بار و رفتار و کردار او، و طبعا آنچه می گوید و می سازد تابع آن است .

با همه بی مکانی کارهای دره باغی، با همه  خلوص و خلاصه گی فضایی آثارش که  عمدتا از جنس زمان است، این آثار پر از تپش و تحرک است، برغم خلاء و "پاکیزگی " ای که در نگاه اول به چشم می زند و در نظری سطحی شاید کمی خشک و سترون جلوه کند نوعی پویندگی و حتی هیجان در آن ها موج می زند، حتی تشویش و اضطرابی نهانی که بینده اگر گول ظاهر شسته رفته و تکنیک " تمیز "و جا افتاده آنها را نخورد آن را آشکار خواهد دید.  این تب و تاب گاهی حتی شدید زیر لايه آرام و ظاهرا آسوده حاصل همان رفتن و برگشتن است .چرا که کار اصلی مصطفی، هدف و دغدغه  دائمی او در عمل همین تکاپو ست، همین حرکت پیگیری که فضای انتزاعی اثر برغم محدویت مکانی و خلاصه گی زمانی اش را پر از زندگی می کند .

مهدی سحابی  ۱۳۸۸

 In his work, Mostafa Darrehbaghi moves back and forth in time with time taken in its both senses: as a singular physical quantity we measure by clocks or as an environment in which life of men flows (just as water for the fish) and to which all their behaviours, deeds, sayings and constructions are subject.   No matter how placeless the world of Mostafa’s works is or how their atmosphere, mostly temporal, is imbued with purity and simplicity, these works are charged with energy and mobility. Despite the void and ‘neatness’ that comes to eye on first sight and might appear austere or sterile, the works are brimming with a kind of dynamism or even rapture and a hidden anxiety which the viewer recognizes if not mistaken by the neat finishing or the flawless technique. Such (in times) extreme uneasiness hidden under the apparently calm and tranquil surface is the result of a going back and forth. For, this very motion is the artist’s main concern, the persistent movement filling, despite the local limitation and temporal brevity, the abstract space of the work with life.  Mehdi Sahabi - 2009 

نمایشگاه آثار " مصطفی دره باغی " با عنوان " در باره چیزها " دی 1392 گالری اعتماد

http://www.artin360.com/Etemad.htm

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