Etemad art gallery-Oct 2013-Masoud Akhavan-rise-01
We know Masoud Akhavan as the collector of modern and contemporary art in Iran. He began buying artworks since three years ago but he could build a great collection which made his name familiar to Tehran art scene. Akhavan is fond of Bronze sculptures; during his search for buying such works he couldn’t find what he was really after and that motivated him to create his own series “The Rise”. The series consists of Bronze sculptures that in spite of the simplicity try to translate subjectivity into a visual form.
He started working with ceramic when he was fifteen during his residence in Germany. He slowly tended toward Industrial design and followed designing practical objects for home and kitchen as his career during the past seventeen years. Working in this field helped him get familiar with metals and materials and collecting artworks strengthened his taste in art.
“The Rise” is the result of not finding what he was looking for. The abstract forms in Akhavan’s works represent the fast and abrupt actions; a creature rising from where it was sited; a hand moving in the air; a man trying to smooth his back and etc. “I liked to visualize the hope for ascension.” He says. What he is longing for is to depart from the passivity and gait towards a new situation but in his way he creates different situations. Here this sudden move wraps around itself and there traversing a circular way finally decides to descend, in some it looks like a human staying behind its veil. Although “The Rise” is trying to picture ascension but it also pictures the struggle and try and errors within. The struggle is to get over passivity but the result is sometimes unfavorable. Yet what is being glorified is the “struggle” itself. The abstract forms in Akhavan’s series benefit from a shining, golden and glossy material could be interpreted as monuments in praise of “Effort”; and the effort -even in vain- is more valuable than passivity.
Folie à deux“Folie à deux” is identified as a medical term, basically meaning “a madness shared by t...
In his latest series Vahid Sharifian has chosen the subject of Joy and War as the backgrounds of his ...
هنر سنتی، عشق ورزیدن به خداست. هنری که در آن خدا احساس نشود را نمیتوانیم هنر سنتی بنامیم. هنر سنتی زم...
Mohsen Ahmadvand is an Iranian artist whose immediate influences have been wrestling, old photograph...
Overview and History
Tehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.
Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.
But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.
In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.
The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.
The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."
Mehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.
Tehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.
The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.
Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.
People and Culture
More than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.
Things to do, Recommendations
Take the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.
If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.
Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.
Tehran is also full of museums such as:
the Contemporary Art Museum
the Abghine Musuem (glass works)
the 19th century Golestan Royal Palace museum
the museum of carpets (!!!)
Reza Abbasi Museum of extraordinary miniatures
and most stunning of all,
the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.
Text by Steve Smith.