Sacré-Cœur Basilica (Basilica of the Sacred Heart) Paris
The Basilica of the Sacred Heart of Paris, commonly known as Sacré-Cœur Basilica (French: Basilique du Sacré-Cœur, pronounced [sakʁe kœʁ]), is a Roman Catholic church and minor basilica, dedicated to the Sacred Heart of Jesus, in Paris, France. A popular landmark, the basilica is located at the summit of the butte Montmartre, the highest point in the city. Sacré-Cœur is a double monument, political and cultural, both a national penance for the supposed excesses of the Second Empire and socialist Paris Commune of 1871 crowning its most rebellious neighborhood, and an embodiment of conservative moral order, publicly dedicated to the Sacred Heart of Jesus, which was an increasingly popular vision of a loving and sympathetic Christ.
The Sacré-Cœur Basilica was designed by Paul Abadie. Construction began in 1875 and was finished in 1914. It was consecrated after the end of World War I in 1919.
Basilique du Sacré Cœur
The inspiration for Sacré Cœur's design originated in the wake of the division in French society that arose in the decades following the French Revolution, between devout Catholics and legitimist royalists on one side, and democrats, secularists, socialists and radicals on the other. This schism became particularly pronounced after the Franco-Prussian War and the ensuing uprising of the Paris Commune of 1870-71. Though today the Basilica is asserted[when?] to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the Commune". Montmartre had been the site of the Commune's first insurrection, and many dedicated communards were forever entombed in the subterranean galleries of former gypsum mines where they had retreated, by explosives detonated at the entrances by the Army of Versailles. Hostages had been executed on both sides, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are, it is here that the Sacred Heart must reign so that it can beckon all to come".
In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"— that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety", of which Sacré-Cœur is the chief lasting triumphalist monument.
The decree voting its construction as a "matter of public utility", 24 July, followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete.
A law of public utility was passed to seize land at the summit of Montmartre for the construction of the basilica. Architect Paul Abadie designed the basilica after winning a competition over 77 other architects. With delays in assembling the property, the foundation stone was finally laid 16 June 1875. Passionate debates concerning the Basilica were raised in the Conseil Municipal in 1880, where the Basilica was called "an incessant provocation to civil war" and it was debated whether to rescind the law of 1873 granting property rights, an impracticable proposition. The matter reached the Chamber of Deputies in the summer of 1882, in which the Basilica was defended by Archbishop Guibert while Georges Clemenceau argued that it sought to stigmatise the Revolution. The law was rescinded, but the Basilica was saved by a technicality and the bill was not reintroduced in the next session. A further attempt to halt the construction was defeated in 1897, by which time the interior was substantially complete and had been open for services for six years.
The overall style of the structure shows a free interpretation of Romano-Byzantine features, an unusual architectural vocabulary at the time, which was a conscious reaction against the neo-Baroque excesses of the Palais Garnier, which was cited in the competition. Many design elements of the basilica symbolise nationalist themes: the portico, with its three arches, is adorned by two equestrian statues of French national saints Joan of Arc (1927) and King Saint Louis IX, both executed in bronze by Hippolyte Lefebvre; and the nineteen-ton Savoyarde bell (one of the world's heaviest), cast in 1895 in Annecy, alludes to the annexation of Savoy in 1860.
Abadie died not long after the foundation had been laid, in 1884, and five architects continued with the work: Honoré Daumet (1884–1886), Jean-Charles Laisné (1886–1891), Henri-Pierre-Marie Rauline (1891–1904), Lucien Magne (1904–1916), and Jean-Louis Hulot (1916–1924). The Basilica was not completed until 1914, when war intervened; the basilica was formally dedicated in 1919, after World War I, when its national symbolism had shifted
Construction costs, estimated at 7 million French francs and drawn entirely from private donations, were expended before any above-ground visible structure was to be seen. A provisional chapel was consecrated 3 March 1876, and pilgrimage donations quickly became the mainstay of funding. Donations were encouraged by the expedient of permitting donors to "purchase" individual columns or other features as small as a brick. It was declared by the National Assembly that the state had the ultimate responsibility for funding.
Muted echoes of the Basilica's "tortured history" are still heard, geographer David Harvey has noted. In February 1971 demonstrators pursued by the police took refuge in the Basilica and called upon their radical comrades to join them in occupying a church "built upon the bodies of communards in order to efface that red flag that had for too long floated over Paris" as their leaflets expressed it.
Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.
A mosaic in the apse, entitled Christ in Majesty, is among the largest in the world.
The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.
The use of cameras and video recorders is forbidden inside the Basilica.
The basilica is home to a large and very fine pipe organ built by Aristide Cavaillé-Coll for a private home in Biarritz, composed of 109 ranks and 78 speaking stops spread across four 61-note manuals and the 32-note pedalboard (unusual before the turn of the century; the standard of the day was 56 and 30), spread across three expressive divisions (also unusual for the time, even in large organs); the organ was ahead of its time, containing multiple expressive divisions and giving the performer considerable advantages over other even larger instruments of the day. It was almost identical (tonal characteristics, layout, and casework) to the instrument in Sheffield's Albert Hall, destroyed by fire in 1934. However, when installed in Paris in 1905 by Cavaillé-Coll's successor and son-in-law, Charles Mutin, it lost its fine case for a much plainer one.
Role in Catholicism
In response to requests from French bishops, Pope Pius IX promulgated the feast of the Sacred Heart in 1856. The basilica itself was consecrated on 16 October 1919.
Since 1885 (before construction had been completed), the Blessed Sacrament (a consecrated host which according to tradition has been turned into Jesus Christ during Mass) has been continually on display in a monstrance above the high altar. Perpetual adoration of the Blessed Sacrament has continued uninterrupted in the Basilica since 1885. Because of this, tourists and others are asked to dress appropriately when visiting the basilica and to observe silence as much as possible, so as not to disturb persons who have come from around the world to pray in this special place.
The Sacre Coeur church stands at the top of Montmartre and is a popular landmark in Paris. Though beg...
The Basilica of the Sacred Heart of Jesus of Paris, commonly known as Sacré-Cœur Basilica, is a Roma...
Overview and History
Welcome to Paris, the City Of Lights, La Ville-Lumiere! We're going to depart from the standard timeline here and just start looking at pictures. You can put the history together in your mind along the way, or live contentedly with an abstract expression of images, whichever you prefer.
For lessons in light from the expressionist masters, blur yourself directly to the Orsay Museum and find Monet, Renoir and Cezanne waiting. But let's not get ahead of ourselves.
The River Seine divides the city into two halves, called the Left Bank and Right Bank. The right bank is on the north side, left to the south. In general the right bank claims the sophistication and modern development in Paris, while the left bank has the universities, parks and historic areas.
There are two islands on the river in the middle of the city, Ile de la Cite and Ile de St. Louis. Here's a beautiful Flower Market on Ile de la City, which is the oldest section of the city. It's also home to Notre Dame cathedral
The Right Bank has a big hill called Montmartre, literally translating to "Mount Mars" or "Mountain of the Martyr", depending on which time period you take the story from. Its name dates back to at least 250A.D and it's home to the Sacre Coeur Basilica among many other things of note, such as the studios of Salvadore Dali, Picasso and Van Gogh.
And what else? The Champs-Elysees, of course! The Champs-Elysees is the most prestigious avenue in Paris. L'Arc de Triomph stands at the western end of the Champs-Elysees, at the star shaped intersection of twelve major avenues which is called Place d'Etoil. The Arch is a monument to all who fought for France, especially during the Napoleonic wars.
By the way, the sprint finish of the Tour de France -- the most prestigious bicycle race in the world -- comes down the Champs-Elysees. Catch it in the early summer.
You may have heard of a museum called Le Louvre. Before you attempt to visit it, go through some tour de france training to build up your stamina. This is a museum big enough to take your whole summer to walk through, and that's without even stopping to look at any of the art.
Situated right along the river is the Place de la Concord, the largest open square in the city. It's where Louis XVI, Marie Antoinette and 2,798 of their closest friends met the guillotine during the French Revolution. The smell of blood was so strong, according to the tale, that a herd of cattle refused to cross the square.
Let's see what we have on the Left Bank. How about Les Invalides, a stately group of museums and monuments dedicated to military history, which also houses a hospital and residences for veterans.
The Left Bank has for decades been the center of academic life in Paris, which can be summed up in a word: La Sorbonne. La Sorbonne is the nickname for the University of Paris, founded in 1257. It sits in a historic scholarly sector called the Latin Quarter, which connects La Sorbonne to the Left Bank (Place Maubert). If Paris was a tropical island, this would be the coral reef.
Near La Sorbonne can be found Le Jardin de Luxembourg, where Marie d'Medici's chateau stands. It's a pleasant little country house in Florentine style. They used it for a prison during the French Revolution and for Luftwaffe headquarters during WWII. It now houses the French Senate.
Shakespeare and Co Library sits in the heart of the Latin Quarter and has earned an international reputation for being more than just a bookshop.
Take a look at the Gare du Nord Paris North Station. One of six large train stations in Paris, it's the busiest one in Europe. If you're already on the continent, you very well may arrive here.
As for airports, there are two: Charles De Gualle and Orly. De Gaulle airport is about 25 minutes by train from Gare du Nord station, Orly is a bit closer. Here's the train information for connections to the city.
Here's one of the 380 metro stations in Paris, the Palais-Royale at the Louvre. Looking good! This is Europe's second-largest metro system and it's connected with the buses the commuter rail network to get you around the city.
People and Culture
Remember, champagne was perfected here during the Belle Epoque, and you need the proper setting in which to drink it.
And check out this fish shop!! This is what the zoom tool was made for!
In case you're wondering, there's a gritty side to Paris, too. Here's a little mobile graffiti.
In the same vein, by which I mean "cheap" or "free", stroll around Left Bank to the flea market at Place Maubert.
Street musicians are another great thing about Paris. Here are some drummers, some visual artists on the Quai de Conti, and there should be an organ grinder on the corner when you get there. Let me know if you see him.
Things to do & Recommendations
Street food -- get a croque monsieur or croque madam, it's a toasted cheese sandwich with or without ham. They're so good, it's the pizza slice of Paris! I can't for the life of me understand why nobody has shot a panorama of one.
Street food part 2, and I quote:
"the motherfucking best falafel in the world is there in the Marais. it's called La Du's and it's on the Rue de Rosiers. it's the 5th I think, right bank. If you flirt with the take out boys they'll give you more falafel too, I'm not kidding it's a fucking transcendant experience."
"there's also this bar in the 11th, called the baron rouge, where on sunday a friend of the owner drives in from normandy with a truck full of oysters and just parks it in front of the bar and sells oysters out the back and you just eat them on the street and drink Muscadet off the top of parked cars." (Thank you Allison O'Leary)
No trip to Paris would ever be complete without... well actually the reason Paris is Paris because you never finish seeing it all.
Move there, spend a lifetime there, walk everyplace you go and you still won't see it all. It's like New York, London or Tokyo; anyplace in such a state of constant change will remain eternally elusive.
Text by Steve Smith.