0 Likes

Seyhoun Art Gallery Alireza Pouya May 2014 Hidden And Bare 01
Tehran

خطر کردن با خاطرات

[نگاهی به نقاشی های علیرضا پویا در گالری سیحون]

سیدامیر سقراطی

تماشای نقاشی های علیرضا پویا با پهنه های وسیع رنگ و بافت های متنوع، مواجهه با نقاشی هایی انتزاعی است که در آنها «رنگ-احساس» بر «فرم-مفهوم» چیرگی دارد.

بی پروایی هنرمند در استفاده از رنگ های پرهیجان و عاطفی و تاکید بر القای احساس، ضرباهنگ تصاویرش را شکل می دهد، دگرگون می کند و به پیش می راند.

علیرضا پویا نقاش تراژدی هایی است که رنگی زیبا بر خود دارند؛ بیمِ آوار و فرو ریزش رنگ ها بر اندامواره های انسانی و اشیاء، بی جانی شیء و انسان را به ذهن می آورد که هر چه روزمره و تکراری شود، در ذهن و چشم انسان به طبیعتی بی جان بدل می شود. و نقاش در اینجا هر آنچه بی جان است را در زیر آوار رنگ مدفون می کند.   

اندامواره ها در میان رنگ ها و بافت ها جان می بازند؛ نقاش، ماهیت انسانی فیگورها را به نفع اتمسفر رنگ های پرهیجان از میان بر می دارد. شیفتگی، هیجان و شور نقاشانه در انهدام و تخریب فضای نقاشی اگر چه در برخی اوقات به آشوب صحنه ها می انجامد، اما شکلی از جذبه و شیفتگی نقاشانه در برخورد با فضا و اتمسفر است که می تواند نمایی از فضای عاطفی نقاش در برهه هایی از زندگی باشد که در هجوم پهنه های رنگ و آوارِ بافت های متنوع، شکلی بصری یافته اند.

در واقع خاطرات و مخاطرات هنرمند در نقاشی هایش از شکل می افتند و دوباره در همین نقاشی ها شکل می گیرند؛ شکلِ دوبارۀ خاطرات وی احساسی است که لباس رنگ بر تن دارد. کشیدن چیزها و سپس انهدام آنها با رنگ، خطر کردن نقاش با خاطرات اش است.

علیرضا پویا علیرغم تمایل به انتزاع و گُنگ نماییِ مفاهیم اجتماعی، در تخریب عناصر بصری و زیر و رو کردن بافت ها و انهدام رنگ ها به سمت زبانی برای بیان عواطف انسانی می رود که در آن تخریب و انهدام، شمایی از تجربۀ زیسته هنرمند در رویارویی با تجربیات انسانی قلمداد می شود.

Taking risk by memories

[Looking at Alireza Pouya's paintings in Seyhoun gallery]

Seyyed Amir Soghrati

To watch Alireza Pouya's paintings with extensive widths of color and diverse textures is encountering with abstract paintings that in them "color-sense" overcome to "form-concept". 

The artist courage in using exciting and affective and to emphasize on sense inducing, shape his pictures rhythm, modify and goes ahead.

Alireza Pouya is a painter of tragedies that have beautiful color; the debris fear and pouring colors on human statues and things, remember thing and human lifeless that more become daily and repetitive, convert in human mind and eye to lifeless nature. And painter here buries everything that is lifeless under paint debris.

Statues give up their life among colors and textures; painter eliminates figures' human nature in favor of exiting colors atmosphere. Infatuation, emotion and enthusiasm in destructing a painting space although sometimes result in scenes disturbance, but a form of painting appeal and infatuation in confrontation with space and atmosphere that could be a view of the painter affective space in stages of life that have found visual form by color attack and diverse texture debris.

In fact the artist's memories and risks lose shape in his/her paintings and again take shape in the same paintings; the again shape of his memories is a sensation that has put on a dress of color. Drawing things and then destroying them with color is the painter's risk taking by his memories.

Alireza Pouya despite of tendency to abstraction and dumbness of social concepts, in destroying visual elements and turning down textures and destroying colors goes toward a language to express human affections in which destruction and turning down is treated a view of the artist's life experience in confrontation with human experiences. 

نمایشگاه آثار " علیرضا پویا " با عنوان " پنهان و پیدا " اردیبهشت 1393 گالری سیحون

http://www.artin360.com/Seyhoun.htm

comments powered by Disqus

Majeed Panahee joo
Seyhoun Art Gallery Alireza Pouya May 2014 Hidden And Bare 02
Majeed Panahee joo
North Seyhoun
Majeed Panahee joo
Seyhoun Art Gallery Oct 2013 Jewelery As Sculpture 01
Majeed Panahee joo
Seyhoun Art Gallery Dec 2013 Alemeh Bagherian Illusion 01
Majeed Panahee joo
Seyhoun Art Gallery Apr 2014 Reza Afsari Sealed Letters To Myself 01
Majeed Panahee joo
Seyhoun Art Gallery Apr 2014 Reza Afsari Sealed Letters To Myself 02
Majeed Panahee joo
نمایشگاه آثار " رضا افسری " با عنوان " نامه های سربسته به خودم " فروردین 1393 گالری سیحون 03
Majeed Panahee joo
Seyhoun Art Gallery Feb 2014 Siamak Azmi Toys 02
Majeed Panahee joo
Seyhoun Art Gallery Nov 2013 Monir Sehat Disjointed 01
Majeed Panahee joo
Seyhoun Art Gallery Jan 2014 The Second Generation 01
Majeed Panahee joo
Sayhoun Art Gallery Dec 2013 Sara Rahanjam Blue Sky 01
Majeed Panahee joo
Seyhoun Art Gallery May 2013 The Third May Tribute To Masoumeh Seyhoun Group Calligraphy Exhibition 03
Rommel Bundalian
Anawangin Cove, Zambales, Philippines
Hung-Chin Wang
Tungchin st panchiao taiwan
Marcio Cabral
Torres del Paine at sunrise
Igor Leontyev
Manhattan
Alex Dennis Bolado
Ferris Wheel at Hawally Park
Rommel Bundalian
White Island
Alex Dennis Bolado
Dhow in Souk Sharq
Marcio Cabral
Glacier Perito Moreno
yunzen liu
藏式民居——强久卓玛的家之二
Tibor Illes
Bathory-Express - veteran Polish bus
Andy Bryant
Col de l'Arc close to Pic St Michel on the edge of the Vercors
Hung-Chin Wang
Panchiao railway station
Majeed Panahee joo
Haftsamar Art Gallery Oct 2012 Negar Pouya 01
Majeed Panahee joo
Khak Gallery Kambiz Sabri April May 2012 A House On The Other Side Of The Night 03
Majeed Panahee joo
Khak Gallery Mehdi Hosseini 03
Majeed Panahee joo
Haftsamar Art Gallery Dec 2013 Simin Shahravan 02
Majeed Panahee joo
Aaran Art Gallery Jan 2013 Untitled A Selection By Behrang Samadzadeghan And Aaran Gallery 02
Majeed Panahee joo
Shirin Art Gallery Jan 2014 Machine Automobile Hossein Soltani 01
Majeed Panahee joo
نمایشگاه " علیرضا معصومی " با عنوان " ایستگاه آزادی " دی و بهمن 1391 گالری اعتماد 02
Majeed Panahee joo
Aaran Art Gallery May Jun 2014 Mehdi Eshlaghi Karaj Long Shot 04
Majeed Panahee joo
Haftsamar Art Gallery July 2013 Group Painting Exhibition 01
Majeed Panahee joo
Seyhoun Art Gallery Sep 2013 Ahmad Nasrollahi 02
Majeed Panahee joo
Azad University Olom Va Tahghighat Alame Tabatabaie Hall Amphitheater
Majeed Panahee joo
Niavaran Cultural Center Etemad Gallery Jan 2014 Mahmoud Bakhshi TalkCloud 02
More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.