· Ten great format bronze sculptures will serve as guardians at Victoria Tower Gardens from January 14th to February 15th, 2011.
· Nuestros Silencios becomes a part of the City of Sculpture Festival 2010/11, organised by the Westminster City Council.
London, January 6th 2011. Is this Stonehenge at Westminster? Are these Outer-space giants from a science-fiction story by H.G. Wells? Nothing of the sort. This is Nuestros silencios, a monumental public art installation by Mexican Sculptor Rivelino, which has been touring Europe and has now arrived to its sixth and penultimate tour date: London.
Nuestros Silencios will be exhibited at the Victoria Tower Gardens, located next to the Houses of Parliament, which have been catalogued as World Cultural Heritage by UNESCO. The Gardens are located in a riverbank overlooking the Thames, which runs from South Westminster to Lambeth Bridge.
During 2010 Rivelino’s Nuestros Silencios has been presented in five European Cities as part of the Mexican Independence Bicentennial celebrations, these cities are: Lisbon, Madrid, Brussels, Berlin and Rome, all of which are renowned metropolises, “nevertheless London, and specifically Westminster, will prove to be the jewel of the crown for this exhibition, and will not go unnoticed during its stay” as Councilman Robert Davis, Deputy Leader of Westminster City Council, pointed out in his message for the English version of the exhibition’s catalogue.
We should mention that Victoria Tower Gardens hosts important outdoors sculptural works such as Rodin’s “The Burghers of Calais”, the statue of British suffragette Emmeline Pankhurst, who had a major role in conquering women’s right to vote, and the Buxton Memorial Fountain, which commemorates the abolition of slavery. “This sculptural art celebrates social and libertarian values that are in full agreement with freedom of expression, which is the concept behind Nuestros Silencios” said Rivelino, the very first Mexican sculptor to present a monumental public installation in London.
The authorities of the Westminster City Council have been working on taking advantage of their unique public spaces through the City of Sculpture Festival, which started a year ago. This event seeks to exhibit the work of the best local and international artists, offering a platform for their work so the thousands of people that visit Westminster on a daily basis can see it.
Nuestros silencios is a monumental public sculpture installation that features ten three-dimensional pieces of great format (3.50 x 2.30 x 1.20 meters with a weight of one ton). They are made of bronze using the “lost wax” technique and white and ochre patina. The bodies are covered with low and high relieves, free-interpretation texts covered with seeds and plants. The sculptures also feature a metal plate covering their mouths symbolising the importance of individual and collective freedom of expression.
The idea of freedom of expression is a subject of permanent relevance that goes beyond aesthetic topics and encompasses politics, culture, social and personal issues, and is also related to other ambits such as freedom of the press, self censorship, copyright, intellectual property, the free flow of information on the Internet, Human rights, Public Order and protests, an also the gradual erosion of the public space.
The Ministry of Foreign Affairs through the Embassy of Mexico in the United Kingdom, the Westminster City Council and The Royal Parks have participated in this sixth and penultimate presentation of Nuestros silencios in London. The inauguration will take place on January 14th, 2011 at 12:00 pm and will be attended by the authorities of the three collaborating institutions.
Rivelino (b.1973 Jalisco, Mexico)
He has been experimenting with all sorts of materials, shapes and topics for over 15 years. He has most recently worked on in public interventions, investigating the relationship between the spectator and the artwork as he has done in Nuestros Silencios. During this time, Rivelino has managed the interaction of different materials such as clay and metal, from small to monumental formats.
Rivelino is mainly self-taught, however he has studied at the Ceramics School of Instututo Nacional de Bellas Artes (INBA). His work is part of major private collections in Mexico, Germany, Spain, France, Portugal, Japan, Australia, Canada, The United States and countries in Central and South America.
For more information: www.oursilences.co.uk, www.nuestrossilencios.com and www.rivelino.com.mx
Overview and History"When a man is tired of London, he is tired of life; for there is in London all that life can afford." - Samuel JohnsonDo you know all the verses to the children's song, "London Bridge is falling down"? They will take you through the history of London so let's have a look, shall we?First we need a bridge, in order for it to fall down. The Romans were nice enough to build the first one, probably using a combination of floating platforms and walkways. During Roman times the River Thames was much wider and shallower than it is today, so you could get away with mud hopping. As London has grown it has continually reclaimed the riverbank and funneled the river into a tighter channel, causing no small floods in the lower-laying areas.Now, London Bridge first fell down and became a song when the English were fighting Viking invaders from Denmark. The English won by pulling down the Danish garrison and the bridge along with it. Whoops! Wood and clay will wash away, wash away, wash away. Well.. that's part of the story. In 1014 more Viking invaders decided the bridge was in the way of their tall ships, so they tied ropes to it and rowed at full speed to help the bridge wash away.Verse Three: "Build it up with bricks and mortar, bricks and mortar, bricks and mortar." The first stone construction began in 1176 and took thirty years to finish. This one lasted six centuries, but it still caught on fire and nearly collapsed a few times. This was the famous long-standing bridge bearing not only a church and houses, but also the heads of traitors preserved in tar and mounted on stakes. Of course, a multi-colored thread of zany events came to pass in the seven-century lifespan of the stone London Bridge -- witch burnings, boating collisions and drownings, the Plague -- it's all part of becoming the world's largest city, a rich title which London achieved in the nineteenth century. Oops! "Bricks and mortar will not stay, will not stay, will not stay." Build it up with iron and steel. The then-decrepit and chokingly narrow stone bridge was rebuilt by John Rennie in the 1830's. Legend has it that the British custom of driving on the left-hand side of the road was an early attempt to solve the congestion on the bridge.If you can believe what comes next, Rennie's bridge was SOLD to an American investor who carted it off to Arizona. That was 1968. The current London Bridge was dedicated in 1973. Its concrete and steel construction was financed by the sale of Rennie's stone bridge. Hmm... was this sale an elaborate financier's gambit, or just clever adaptation of existing circumstances? Getting ThereHeathrow Airport is the main one, although there are eight airports in the greater London area. Heathrow is the world's busiest airport in terms of international flights.Other main airports are Gatwick and Stansted, all have good transportation links into central London, choose rail or bus.TransportationWith the oldest and best underground system in the world, you can literally get anywhere quickly, the 'tubes' do get a little overcrowded, so why not see the sites above the ground and take a bus or river boat.Like Hong Kong, London uses the Oyster card system to let you pay electronically for all sorts of things, especially moving your body from place to place. Fares go for about two pounds per ride for the underground and £1 for the bus. Travel cards have a cool price cap on the bulk ticket purchases, so you can ride more without being charged more, after a certain point.Consider avoiding the much loved 'black cabs' for long journeys, as it can be an expensive way to sit in traffic. Traffic can get busy in central London, but is improving alot since the introduction of the now very famous 'congestion charge'.People and CultureThe British invented marmalade to protect their mighty navy from scurvy, and they drink a lot of tea ! "Thank you very much and have a lovely evening".Well, those are the stereotypes. British culture can have the reputation of being stuffy and repressively polite, but the warmth and volume of pub life more than make up for it. The people in general are hilarious, sarcastic and quick-witted. They love their pints, their fish and chips and their football. Like other megalopoliptic international and throbbing cities, London is tricky to congeal into a sliceable pat that one might conceivably be able to spread on one's toast. You'll simply have to come here and see it for yourself.Things to do & RecommendationsFirst off, read some Shakespeare so you understand why you need to go to the Globe Theatre. Think about the double and triple meanings built into the text; this will give you a foundation in the British sense of humor you're walking into.With that under your belt, walk on into The London Dungeons. When you're finished looking at these cages for people, you can look at some cages for animals at the London Zoo!Science lovers can teleport right over to the Natural History Museum and laugh at the dinosaurs, who couldn't tele-anything.The British museums are some of the best in the world, possibly even the best, owing to the Empire's history of world exploration. The National Gallery houses some of the greatest Western painting anywhere.London is basically jam-packed full of history, food, music, theatre, art, banks and people to boggle your brains. I would try to describe it to you, but...But Samuel Johnson already said it best.Text by Steve Smith.