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Hussein Madi - Retropective 2014 (4)
Beirut
features of his characters are those of the Oriental man clearly showing his cultural heritage. In their attitudes, two expressions are found: a static one which shows permanence in the face of the transitory, and the deep Oriental faith in immortality and eternal rest, and also a facial expression of cruel irony, playing the part of the mask in the Greek tragedy or an expression of suffering through stiff posture, like the loud outburst of a horrible cry, the terrible roar of the Assyrian lioness dragging along her crushed rump. This rending roar personifies the cry of Humanity. The Italian critic Joseph Silvaggi writes about Madi: "His drawings are filled with symbols and rich with artistic conventions in simplified forms; they are an enchanted script, a résumé of figurative art, the art of modern man."

Hussein Madi on Wikipedia

Copyright: Alexy Frangieh
Type: Spherical
Resolution: 16540x8270
Taken: 03/05/2016
Uploaded: 03/05/2016
Updated: 08/02/2019
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Tags: art; exhibition; painting; sculpture; lebanon; beirut
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