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Shirin Art Gallery Nov 2018 Gholamhossein Shrabi In The Name Of Nature 01
Tehran

غلامحسین سهرابی

 فارغ التحصیل نقاشی از دانشکده هنرهای    زیبای دانشگاه تهران می‌باشد

 و همچنین فعالیت های چشمگیری در حیطه های فرهنگی هنری دارد که شامل شرکت در بسیاری از جشنواره ها و نمایشگاه ها می شود

طبیعت را در سه سطح می توان رصد کرد 

جماد، نبات‌ و‌ انسان

جهان نقاش نیز از این سه گانه بی نصیب نیست، به ویژه هنگامی که طراحانه مشق می کند، طبیعت بی جان، طبیعت گیاهان، طبیعت انسان

این هستی شناسی ِنقاشانه که هنوز هم در نظام آموزشی ِ کلاسیک طراحی ونقاشی حضور دارد، معرف جهان های موازی ِ نقاشانه است، نقاش پس از طبیعت ِ اشیا ٕ‌به گیاهان می پردازد و فضاهای وسیع را تجربه می کند و این همه مقدمه ای است تا طبیعت ِ انسان را بهتر و آگاهانه تر درک کند

از این رو مطالعه‌ی نظام نباتی ِ طبیعت با فضاهای بی کرانه اش، به عنوان یک پاساژ میان طبیعت بی جان و طبیعت ِ انسان همیشه محل تأمل است

نقاشی های غلامحسین سهرابی از طبیعت زنده معرف ِ رفت و آمدهای پژوهشگرانه‌ی او در مرز این جهان های موازی است، به طوری که تو می توانی خُنکای ِ تجربه ی نقاشانه ی او را صمیمانه حس کنی و در تجربه هایی که گاه شاعرانه می‌نماید شریک شوی

Gholamhossein Sohrabi graduated from Tehran University of Fine arts.

He also has many impressive

activities in the atmosphere of art and cultures, and even he has participated in many exhibitions and festivals.

Nature can be explored at three different levels; objects, plants, and human beings. This trio is quintessential to a painter’s world, not least when they draw as a practice, depicting still life, organic world, and human nature.

This painterly attitude, still present in the classical art education system, presents parallel painterly worlds. Again, life is followed by floral painting where the painter experiments with vast stretches, an introduction to a better understanding of human nature. Therefore, the study of Nature and its vast expanse as a conduit that connects still life to human nature is always a subject of contemplation.

Still life paintings of Gholam Hossein Sohrabi present scholarly excursions across the boundaries of these parallel universes. One can intimately feel the depth of his painterly experiments and share his ostensibly romantic experiences.

نمایشگاه آثار " غلامحسین سهرابی " آذر ماه 1397 گالری شیرین

Copyright: Majeed Panahee Joo
Type: Spherical
Resolution: 12802x6401
Taken: 24/11/2018
Uploaded: 24/11/2018
Updated: 31/12/2019
Views:

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Tags: shirin art gallery; shirin gallery; shirin partovi; shirin; tehran; iranian artists; gallery in tehran; artin360; majeed panahee joo; majid panahi; iranian professional photographer; industrial photography; gholamhossein sohrabi; in the name of nature
More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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