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Panoramic photo by Majeed Panahee joo PRO EXPERT Taken 09:20, 07/12/2013 - Views loading...

Shirin Art Gallery Dec 2013 Sepehr Bakhtiari The Void 01

The World > Asia > Middle East > Iran > Tehran

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قالبى تهي، براى به تصویر کشیدن قدرتی جاودانه و ناميرا درجهت انتقال ارثيه اى تاريخى كه فرهنگ يك جامعه را رقم مى زند؛ خلايى كه هر كسى را براى اسطوره شدن وسوسه ميكند و به درون خود مي بلعد و در آخر نیز به دست آفريدگارش قربانى ميشود؛ قربانى شدن از براى زايش آنچه خود رقم زده است، در زمانه ای که دیگر تاب حضورش را ندارد.
اسطوره هايى كه امروز پديد مي آيند بعضا به واسطه دست يابى به قالب و زره ای خاليست كه ميراث بشر نخستين بوده و با رنگ لعاب امروزي زينت داده شده است. اسطوره هايی كه رفته رفته توسط انسان به وقت نياز خلق و در پايان نيز قرباني مي شوند.
الهه گانی كه انتخاب شده اند تا تاريخ و فرهنگ را به تصویر کشند. زنانى كه اسطوره بودند و جز اسطوره نزاييدند و خود در پس زا رفته اند. كالبدهايى كه خود سمبل بارورى و زایش در زمين بوده اند و فرهنگ و هنر امروز وام دار آنهاست.

Vacant figures, colorful characters filled with colorless void. Appearing eternal and projecting staying power. Their iconography and mythology recall our history and culture. Recall it, however, as figures of negativity: animality, death and destruction. They at once engage us with our historical and cultural life, and pull us towards their deathly void. They depict the price of cultural and historical life as death, and remind us of myths that exceed life towards death in order to express a meaningful life, a life worth living.
Today’s myths recall and remold earlier ones and clothe them in new attire. In order to elaborate his and her conditions, humans make mythical figures. Figures that are brought to life to address inadequacy of the human condition, but are then sacrificed for the same reason. It is as if humans sacrifice their own  (to-be) mythic figures  - with vengeance – for they exceed the human condition.
Female forms presented for their historical and cultural significance; mythical figures, corpse-like, mothers of our history and culture, mothers who died in the process of childbirth.

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قالبى تهي، براى به تصویر کشیدن قدرتی جاودانه و ناميرا درجهت انتقال ارثيه اى تاريخى كه فرهنگ يك جامعه ...

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This panorama was taken in Tehran

This is an overview of Tehran

Overview and History

Tehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.

Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.

But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.

In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.

The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.

The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."

Getting There

Mehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.

Transportation

Tehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.

The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.

Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.

People and Culture

More than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.

Things to do, Recommendations

Take the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.

If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.

Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.

Tehran is also full of museums such as:

the Contemporary Art Museum

the Abghine Musuem (glass works)

the 19th century Golestan Royal Palace museum

the museum of carpets (!!!)

Reza Abbasi Museum of extraordinary miniatures

and most stunning of all,

the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.

Text by Steve Smith.

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