هنرمندان ارمنی ایرانی در منظرهنگاری با آبرنگ سابقهی طولانی و تاثیرگذاری داشتند و باعث شکل گیری خطی از سلیقهی هنرمندان وعلاقهمندان به هنر نقاشی در ایران بودهاند. همچنین آثار آبرنگ ارمنیان ایران در بسیاری موارد تصاویری مستند از مناطق و مناظر ایران به شمار می آیند
نقاشان آبرنگ مکتب اصفهان ادامه دهنده راهی هستند که با آبرنگهای محمودخان ملک الشعرای عهد ناصرالدین شاه شروع شد و آبرنگ، نه در نقطههای ریز، که در لکههای درشتتر و با تکنیکی روانتر به کار گرفته شد. از حیث موضوعی نیز همان مسیری دنبال شد که کوهها و آفتاب و عمارتهای کاشیکاری شده و مردم عامی را تصویر میکرد. با در نظر گرفتن این نکته که در فاصله زمانی میان محمودخان و نقاشان آبرنگ مکتب اصفهان نمونههای اندکی از تصویرگری مناظر شهری و اماکن عمومی (مانند بازارها) در نقاشی ایران وجود دارد، جایگاه و اهمیت این گروه از آثار، فزونی دو چندان می یابد.
بخشی از پیشگفتار کتاب برگزیده ی آثار نقاشی یرواند نهاپتیان نوشته آیدین آغداشلو
"Iranian Armenian Watercolor Painters"
Shirin Gallery is pleased to present a selection of watercolor paintings by some of the Iranian Armenian masters such as Yervand Nehapetian, Michael (Misha) Shahbazian, Yessayi Shajanian, Sumbat Derkiverqian, Avak Hayrapetian, Hakop Vartanian.
Iranian Armenian artists have had a long and influential presence in the field of landscape painting, which has been a long development of the taste of artists and collectors interested in Iranian art. Also, the work of Iranian Armenians in many cases is a documentary of Iran’s landscapes and scenery.
"The Watercolorists of Isfahan School continue the way that began with the watercolors of Mahmud Khan Malekol-Sho’ara during the long reign of Qajar Nasseroddin Shah when watercolor was applied not in small dots but large strokes and with a more flowing technique. Thematically the same method was carried on which depicted the mountains, bursts of sunshine, tile-decorated buildings, and ordinary people. The place and importance of this group of works are all the more significant if we take note of the fact that during the interval between Mahmud Khan and the watercolorists of Isfahan School there are few examples of depicting urban scenes and public places (as markets) in Persian painting. "
Part of the introduction of the book "Selected paintings by Yervand Nehapetian" by Aidin Aghdashlou.
Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.