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Etemad Art Gallery Sep Oct 2013 Mona Paad Existence And Nonexistence 03


وجود  و  ناوجود

"موجود را تنیدگیِ جسم  گردِ ماهیت میبینم . وماهیت را تنها قطعیتِ  وجود." 

روشِ معکوس ، ، روشی است که استاد " پرویز تناولی "  آن را پایه گذاری کرده اند و بیشترِ کار هایم را با این روش می-سازم. معکوس سفریست عارفانه ، که در هر بار تجربۀ آن  می¬توان ساختار حیات را ، باز لمس کرد.    

پس از آموختن اصول دنیای " معکوس"  از استاد، به چشم  انداز وسیعی  قدم گذاشتم که نه تنها  نوعی روش ساخت، بلکه شیوۀ تفکری جدید بود . 

در این روش،  قالب مجسمه ( فضای منفی اطراف مجسمه ) ساخته می¬شود . و دلیل نام گذاری این روش نیز برهمین اساس است. در آن،  برخلاف ساخت مجسمه به روش¬های معمول ، به نبود های مجسمه فکر می¬کنیم ( فضا های منفی )، و این که چه نداشته هایی، داشته هایی ارزشمند به ما هدیه می¬کنند . ازهر بار تجربۀ معکوس ، تنها یک مجسمه به دست می آید، مخلوقی که به دلیل پیچیدگی¬هایش ، نمی¬توان آنرا تکثیر کرد.

  در این شیوۀ کامل و ظریف، مجسمه ساز، قطعاتی از قبل ریخته شده را با جوش و اتصال کنار هم نمی¬نشاند، بلکه درست مانند ادبیات زندگی، فرصتی است تا هر کلمه را در طولِ مسیرِ ساخت، در جایی که باید بنشاند . و تنها در انتهای مسیر(پس از ریخته گری) است که می¬توان مجسمه رابرای اولین بار دید . مجسمه معکوس، مجسمه ای یکپارچه است و در طول ساختِ قالب ، یادگاری که از گفتگوی ابزار و ماسه بر دل قالب نشسته ، بر سطح مجسمه ثبت می¬شود. و این یادگار، بافتی است که در هیچ روش دیگری نمی¬توان به آن دست یافت؛ مگر آنکه لا اقل  بخشی از این سفر را تجربه کرد. 

مونا پاد

پاییز 92

Existence and Nonexistence

“I see the existent being as the substance weaved around the essence, and the essence as the only certainty of the existence.”

Reverse-bronze-casting a method introduced by “Maestro Parviz Tanavoli”, is the technique

I use; to make most of my works. This technique is a mystical journey, and a way to retouch the structures of life.

After learning the basics of the “Reverse-bronze-casting” world, I stepped into a vast realm which was not merely a method of making sculptures, but a new way of thinking also.

In the “Reverse-bronze-casting” Technique, the negative space around the sculpture (The mold) is made, not the sculpture itself. And, that is exactly where the name of this technique comes from. In this method, contrary to the ordinary techniques of making sculptures, we think of the non-existent part of the sculpture (negative spaces). Thinking of; how nonexistence could give us, the valuable existence. Each “Reverse-bronze-casting” experience results in merely one sculpture which is a creation that cannot be duplicated because of its complexities.

In this very complete, delicate technique, the sculptor does not put together the previously cast parts by joints and welding. Rather, similar to the literature of life, it is an opportunity to put each and every word, through its path of creation, in its very own place. And, it is only at the end of the route (after casting) that the sculpture can be seen. A “Reverse-bronze-casting” sculpture is created in one-piece, and it is a keepsake of the dialogue between tool and sand, sitting in the heart of the mold and recorded on the surface of the sculpture during the molding process. And, this keepsake (unique texture) cannot be attained through any other methods, unless you have experienced part of this journey.

Mona Paad, Fall 2013


نمایشگاه " مونا پاد " با عنوان " وجود و ناوجود " مهر 1392 گالری اعتماد http://www.artin360.com/Etemad.htm

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