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Seyhoun Art Gallery May 2016 Fereshteh Shadi Mourning Of The Feminine Wishes 04
Tehran

سوگواری بزرگ ، تنهایی بزرگ

زبان تصویر نیازی به کلمات ندارد. هنرهای خاموش ترجمان فریادها و نجواهای بشری است. همواره با خود فکر می کردم نوشتن درباره هنرهای خاموش خاصه در پیشانی کارت ها و کاتالوگ ها کاری بیهوده است. حتی اگر ستایش انگیزترین و عمیق ترین متن را نوشته باشی، متاسفانه اغلب با شعار همراه خواهد شد. چه بسیار آثاری که قربانی همین متن های هرچند کوتاه و مرسوم – نه مهم – شده اند. هنرمندان آثار خاموش یا همان آثار هنرهای تجسمی همه تلاششان این بوده که از کلمات و ادبیات عبور کنند ، مرزهای تئوری ها را که بر ساخته کلمات است در نوردند و به آن سوی معناها و بی معنایی برسند ، و در خود و در جهان رها شوند تا در ذهن و جان مخاطب ادامه یابند.

هنــر لزوما بازتاب یا نتیجه آن چیزی نیست که هنرمند می خواهد می گوید ، بلکه هنر سخن خود را دارد،  حتی دور و با فاصله های گاه بسیار با خالق اثر،  به همین دلیل می تواند خود را به حیات و زمان متصل کند و دوام بیاورد. در این صورت هر چیزی که ما درباره آثاری از این دست بنویسیم درٍ مفاهمهُ بین هنر و مخاطب را بسته ایم. پس بهتر است که بگذاریم آثار این نمایشگاه  هم که تلاش و کشف و شهود " فرشته شادی " را به نمایش می گذارد از کلمات عبور کند. و ما را با دردها ، رنج ها و تنهایی بزرگ زن " و زنانه " بودگی به عمق سوگواری و ستایش ببرد. همگامی با عکس ها بهتر از همکلامی با سخن من است.

هیوا مسیح

Enormous mourning, enormous solitude

There is no need for the language of the image to use words. The silent arts are the interpretation of human shouts and whispers. I have always thought with myself that writing about the silent arts, particularly on the cards and catalogs, would be useless. Even if you have written the most marvelous and deepest text, it will unfortunately be accompanied by some kind of slogan. Many works have become the victims of some brief and conventional – not important – texts. The artists of the silent arts or the visual arts have made all their efforts to pass over the words and literature, cross the boundaries of the theories, which have been built on words and reach beyond the meanings and meaninglessness; and free from everything, float in themselves and in the world so as to continue living in the audience’s mind and soul. 

Art is not necessarily a reflection or the result of something that the artist wants to convey, rather, it has its own statement, even far away and at times, in long distances from the creator of the artwork, hence it can connect itself to life and time, and thus, it can survive. Accordingly, anything we may write about such works would close the mutual understanding and insightful interrelation between art and audience. It is better therefore, to let the artworks of this exhibition, which illustrate the effort, discovery and intuition of the “angle of joy”, pass over the words. And take us along with great pains, agonies and grave solitude of femininity and “womanhood” to the deep mourning and praise. Strolling around the images is better than conversing with my words.

Hiva Masih

نمایشگاه آثار " فرشته شادی " با عنوان " سوگواری آرزوهای زنانه " اردیبهشت 1395 " گالری سیحون

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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