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Seyhoun Art Gallery Jun 2015 Miladzeynali Improvisation 02
Tehran

کهکشانی که میلاد زینلی در فضای لایتناهی و بی کرانش برای بازنمایی اشیاء و اشکال فرا واقعی و در عین حال آشنا و ملموسش از مخلوقات و مناظر آن یاری میگیرد ، مکانی است پر از رمز و راز.

تمامی آنچه در این کهکشان در یک بی وزنی مسحور کننده در حال پرواز است هم غریب و هم از جنسی است که ما زمینی ها آنها را خوب میشناسیم و برای باز شناسی اشان حتی قادریم به کمک ضمیر ناخود آگاهمان به عناوین مختلف آنها را نامگذاری کنیم ، و در عین برخورد با این دنیای مملو ازلابیرنت های رنگین که گاه انسان را به یاد یک کتاب علم الاشیاء و گاه دنیای واپسین میندازد میتوانیم بدون تلاشی سهمگین آن چنان که ذهنیاتمان آن را پیش بینی میکند راهی برای سفری اکتشافی در آن بیابیم و مسیری را پشت سر بگذاریم که توصیف وقایع و ماجراهای توأم با آن فقط برای خودمان امکان پذیر باشد . چه سعی در تلاش بیان حیرت زدگیِ حاصل از این سیاحت و رویاروئی با اشیائی که در عین دارا بودنِ منشائی بیولوژیکی عملکردی مشابه ساخته های دست انسان دارند و شناوری در لایتناهی خوابگونه محیطشان امری عبث و بیهوده است . فقط آنچه در این دنیای فراواقعی و رمزآلود کمی باعث ملموس ترشدن و قابل شناسائی ترشدن آن میشود آمیختگی و چفت و جور شدن آن با محیطشان است که نهایتاً پیکتوگرام هائی را به ما ارائه میدهند که آدمی آنها را از هزاران سال پیش تا کنون میشناسد که درضمن چنین تلفیقِ به ظاهر تصادفی و در عین حال غیر منتظره از طرفی باعث خشنودی بیننده و از سوی دیگر هراسی میشود که توأم با لذتی بصری آغشته به کوران ذهنی است،آنچه در این تصاویر به وقوع میپیوندد مسلماً از دیدگاه تاریخی همانقدر سوال برانگیز است که دنیای حاکم در آنها با عواملی که باعث یک آشفتگی ذهنی میشود ، ولی باید اذعان کرد که دقیقاً همین دو عامل باعث جذابیتِ بیش از اندازه این آثار و همین دوگانگی خاص است که این آثار را قابل تعمل و تحلیل مینماید . زینلی هنرمندی است که برای زمان خودش کار میکند و این همگامی با زمان باعث میشود که او خودش را پایبند اسلوب ها و روش های نقاشان و مجسمه سازان کلاسیک مدرن قرن گذشته نکند. او با هر حربه ای سعی در خلق فضائی دارد که در عین وابستگی اش به قواعد و ضوابط آنچه امروزه در نقاشی و هنر معاصر متداول است از ثمرات کار گذشتگان بهره گیرد ، این روشِ خلاقیت این اجازه را به او میدهد که بی پروا و بدون هیچ ترسی آنچه را که از دنیای تخیلاتش به ارمغان آورده با زبانی که ما با آن از سده گذشته میلادی آشنائی داریم فضای بصری خود را به صورت تصاویر و ابژه ها در مقابل چشمانمان قرار دهد، زبانی که پس از اختراع و ابداعش فرا واقعیت گرایان و صدور بیانیه "آندره برتون" در سال ١٩٢٤ فراز و نشیب های بسیاری را پیموده و گاه به فراموشی سپرده شده و گاه به همان قدرت عنفوان تولدش باز گشته و ناگفته نماند که این تحول بزرگ در میان تمامی موضع گیری های هنری قرن بیستم شاید نافذترین تأثیر را در هنر معاصر گذاشته است .

این توسل به جهانی خوابگونه که در آثار زینلی نیز مشهود است بدون شک میتوان یکی از اساسی ترین کنش ها در روند خلاقانه اش شمرد ، ولی علاوه بر این بهره گیری که خواسته یا نا خواسته بیننده را درگیر یک محاوره ی ذهنی با ضمیر ناخودآگاهش میکند. زینلی بسیاری دیگر از اندوخته های فکری اش را به کارش میافزاید که شماری از آنها خارج از حیطه تاریخ هنر، نقاشی و مجسمه سازی هستند و بیشتر جنبه های روان شناسانه و حتی گاه اجتماعی دارند و همین باعث میشود آثارش رنگ و بوی کاملاً شخصی پیدا کند ، که این خصیصه یکی از مهمترین ابزار خلاقیت هنری به شمار میرود .

زینلی برای بخشیدن کیفیتی والا به آثارش حتی از به یاری گرفتن از ترفند های گرافیکی ومعمار گونه هم نمی هراسد و حاصل این روند را می توان در تلألو رنگ ها و استحکام ترکیب بندی ها دید ولی در نهایت مهمترین بُعد در آثار زینلی همان توصیف ناپذیری حسی است که کارهایش با اختلاط وامتزاج تمامی این عوامل و عناصربه تماشا گر منتقل میگردد .

واحد خاکدان 

خرداد ١٣٩٤

Milad zeinali infinite and boundless galaxies in space for surrealistic representation of objects and shapes and at the same time it helps to be familiar and tangible creatures and landscapes a place full of mystery... all things in the universe in a glamorous weightlessness in flight the land of the bizarre and the gender that we know are good and to recognize objects even be able to help your unconscious know e named them various ways, and the same time dealing with the loss of this world full of colourful labyrinth sometimes a, Elmo l ashya , book and sometimes last world throws.

Can without trying hard as it predicts the way our minds and find a way to get past the expedition in describing events and their associated event in possible only for ourselves ,in an effort to express the bewilderment of the travel and see things in the same time having the same biological origin are made by human hands , and floating in the infinite environment dreams is vain and futile, just what in the world makes more tangible and identifiable surrealistic mysterious little more and it will blend with the objects in the environment , pictograms that ultimately gives us that man has known them for thousands of years.

In addition this combination of seemingly random and unexpected at the same time the satisfaction of the audience and on the other hand fear that the visual pleasure tinged with mental storm.

The images and statues certainly take place as questionable an historical perspective is that the world of the factors that causes a mental disturbance but it must be said that exactly two attractive too much work and this particular duality is that it works analyzes.

Zeinali artist of this time and causes that the not committed himself to modern methods painters and sculptors of the last century.

He tried to create space with any tool that is also their dependence on the rules and conditions that are common in painting and contemporary art . this method in that unscrupulous and without fear what the world of imagination brought in a language with which we are familiar from the past century AD.

Visual space to put the picture in front of our eyes learn the language the invention of Ultra-Realism and statements by , Andre Breton in 1924 covered a lot of ups and downs. And sometimes forgotten and never returned to the same powers and remain unsaid that the Great event of the twentieth century is perhaps the most influential of all artistic positions in contemporary art with impact...

The use of dream worlds as is evident in the zeinali works undoubtedly be one of the key actions outlined in this creative process. But Besides they wanted and unwanted viewers enjoying in a mental conversation with his conscience. zeinali of its intellectual re servers adds to his work. A number of which are beyond art and more psychological and sometimes social aspect and also makes it very personal work. This is one of the primary means of artistic creativity.

Zeinali to give high quality graphics trick is not afraid to work, and that it can be easily seen in the color and strength of composition. But the most important part of the indescribable feeling that the mix of all these elements are transmitted to the viewer.

Vahed Khakdan June 2015

نمایشگاه آثار " میلاد زینلی " با عنوان " بداهگی " خرداد 1394 گالری سیحون

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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